Anthony Paletta traces the spiritual and artistic path to Chilean author-director Alejandro Jodorowsky’s graphic novel, The Incal:
The Incal isn’t only a parade of thrilling grotesqueries: it also has a spiritual core that, according to observers better informed than I, reflects Jodorowsky’s abiding idiosyncratic Buddhism, though it’s doubtful that this has ever been the primary element of interest for most of the story’s audience. More to the point is Moebius’s deliriously intricate artwork. A carnival of detail, turning only occasionally to large-scale panels, it has won numerous accolades for its renderings of the seedy urban future, forests of glass, undersea plants. Moebius’s work is simply some of the most beautiful not merely in his catalog, but in the comics world at large.