
On the sounds of Black Power:
Unlike the gospel-fueled Civil Rights Movement, Black Power had fewer ties to the church than to the street. Its rhetorical models included the self-aggrandizing rhymes of Muhammad Ali and the militant sloganeering of Malcolm X, Stokely Carmichael and H. Rap Brown, while its urgent resilience found a danceable counterpart in the soul music of James Brown, Wilson Pickett, Aretha Franklin, and hundreds of others. But that was the tip of the iceberg. The explosion of black militant activity in the late 1960s was the shadow substance that informed every dimension of black life, from the Black Panthers to Soul Train.
vagabondaesthetics reblogged this from fantagraphics A great, authoritative review of Listen, Whitey! The Sights and Sounds of Black Power 1965-1975 by Pat Thomas.